Bromantes Architecture Represents the High Reneissance Essay Example for Free

Bromantes Architecture Represents the highschool Reneissance EssayDonato Bramante was born in 1444 to a poor farmers family. Bramante was a famous Italian painter and architect. He moved to the city of Milan in 1474, where the gothic style of buildings influenced his creations. The graduate(prenominal) conversion was a time in Italy and Rome that the artists were learning how to show perspective, and about anatomy. Donato D Angelo Bramante do his mark in the High Renaissance period. He inspired other architects to express themselves. Some of his works include the church service of Santa Maria presso, the Tempietto, Santa Maria delle Grazie, the new St. gibes church, and others (Catt, 2010).By 1499, the French occupation of Milan had forced Bramante to Rome. taken up by the entourage of Alexander VI, he firstly designed the cloister of S. Maria della dance step (Bramante, Donato, 1994). In 1476 Bramante first greatest achievement was the church of Santa Maria presso San Satiro. It was built on commission by Duke Sfora that was dedicated to canonize Satyrus (biographybace, n. d. ). However, Bramantes contributions are seen in the choir area that he remodeled.Bramante had used perspective characterisation to make it look larger than it really was. Using the art of illusion he made the choir seem to be three bays long, but the quadriceps femoris did not actually exist. There was a wall that prevented Bramante from building the choir. So what you see actually is only one meter deep (Web picture gallery of Art, n. d. ). Italian architect and painter. He is best known as the greatest exponent of High Renaissance architecture. His first building, Santa Maria presso San Satiro in Milan (c. 481), use perspective to give an illusion of deeply receding space in the choir. In 1506, he started rebuilding St Peters, Rome. His influence was enormous, and many Milanese painters took up his interest in perspective and trompe loeil Donato Bramante, (2008). The T empietto was another one of Donoto Bromantes great works. It is believed that this shrine was built on the site of St. Peters martyrdom. This piece was commissioned by King Ferdinand and Queen Isabella for this very reason (kleiner, 2010).The Tempietto was a puny round temple at San Pietro in Montro, in Rome, and was build 1502. This piece of architecture is considered to be a masterpiece of High Renaissance (kleiner, 2010). The Essential humanities. net, calls it the crowning jewel of High Renaissance (2010 p3). His classical organise contains many elements such as columns, a dome, drum, base, and a vault. This small design was Bramantes most true building of the renaissance (biographybase, n. d. , p. 1). The Tempietto (1502) at S Pietro in Montorio, Rome.The small circular structure, erected as a martyrium to St Peter, is aromatic of the temple of Sibyl at Tivoli, with its classical entablature carried on a Tuscan Doric colonnade and rich frieze of metopes and triglyphs. It wa s the first monument of the High Renaissance and established a prototype for sixteenth-century church design (Bromate, donato 1987). One of Bromantes early works in Milan was the church of Santa Maria delie Grazie. This building was started by another architect. The Santa Maria delie Grazie was a large church with long aisles.Bramante contributed to this work by adding the tribune to the east end. When Bramante went to Rome, he left this church bare (Web Gallery of Art, n. d. ). According to the text the old ideal Peters was falling apart and deeded such(prenominal) repair. Julius II chose Bramante to design and replace the Saint Peters church. The floor plan of the new Saint Peters church featured a cross with arms of equal length, each terminating in an apse (kleiner, 2010 p. 477par. 3). Julius II wanted the new church to serve as a memorial, to mark Saint Peters grave and rich person his own tomb in the church.Bramantes plans were complex and extreme with intricate symmetries of a crystal. His plan showed none interlocking crosses in which five of them were supporting the domes. However, Bramante died in 1514, at the age of seventy, about the time the construction began (Nickerson, 2008). Bramantes plan has been obscured by later work, though Michelangelo used as much of it as he could. What the interior would have looked like can be seen in Raphaels painting The School of Athens (Bramante, Donato 1444 1514. 1994).The works of Donato Bramante include the church of Santa Maria presso, the Tempietto, Santa Maris delie Grazie, the new St. Peters church, and others. Bramantes works are divided into two time periods. The first period was spent in Milan, and the sulphur was in Rome. In Milan, his work was decorative and picturesque. However, in Rome his work became more in the High Renaissance style (Sauer, 1907). He set the stage for artist in the High Renaissance, and his work with perspectives have been studied and copied today.