Modern Architecture Essay -- Modernism, Postmodernism

As whatsoever critics contended, post moderneism portrays a break with the modernist notion that couturierure should be technologically rational, inflexible and functional, discuss the ways in which one postmodern architect has essential strategies which overcome these tendencies.Juxtaposition is seen between the characteristics of early 20th century modern computer architecture and the artistic endeavours of post modernity that followed. To represent the Less is More (R.Venturi, 1966, pg16) notion the modernist tendencies had adopted, Robert Venturi build a Ghost Structure to imply architecture had no yearlong become an art form and was merely just a stunner (Architecturerevived, 2011) in society. This essay will discuss ways in which the architect Robert Venturi adopts methods to overcome these tendencies that architecture has lost meaning and ways in which he attempts to remove himself with any links with the post-modernist movement that he is viewed in having. unexampled Architects saw their role as reformers, (R.Venturi, 1966, pg16) and tended to break with tradition and start anew. Considering it was a new revolutionary movement they tended to ignore potential problems and focused on the new modern advancements available.A modernist tendency was to build privately barely Venturi claimed that a building derives meaning from its context (Out Of the Ordinary, 2002) and evidently each individual location requires a different form of architectural style to represent this. In Venturis book Complexity and Contradiction he quotes familiar things seen in unfamiliar context become perceptually new as sanitary as old (R.Venturi, 1966, pg43) here he perhaps means in order for art to become worthy of aesthetic appreciation the v... ...ical architecture in which he feel shouldnt be forgotten but instead should be admired and inspire future movements. Despite modernism striping what Venturi believed was the art from architecture he fought to overcome these tendencies are displace upon relevant historic features and characterisations and applied them liberally to his design, in accordance to their context. merely he understood that designing for the user was significant and not to head off social problems. He undertook the modernist concept of mature ways to construct and recognised and understood the developing society, yet he chose not to ignore historic references and applied them in a system of layers within his designs to accommodate for the advanced civilization whilst electing to apply asceticism for both a functional and opthalmic experience.