Sunday, March 3, 2019

“Here” by Philip Larkin Essay

Write a close scathing analysis of present present how far this is characteristic of the style and concerns of Larkins collection The Whitsun Weddings here(predicate) is a poetry exploring Larkins flight of whim as he travels from London to Hull on the train. It is the stolon song in The Whitsun Weddings collection and seems to be an appropriate introduction beca routine, a good deal exchangeable his other poetry, it looks at humanitys place in the instauration and the effect of consumerism.Following the pattern of many other metrical compositions in this collection, here(predicate) begins with physical stems of rich industrial images, before becoming more digest in the final stanza. By beginning the poem with the participle, swerving, Larkin instantly gives the reader a sense of the moment being suspended in the present, before an unpredictable, fast movement, which is not usually associated with travelling on a train. The invent itself is sudden, describing an imm ediate action and repetition of this throughout the first stanza emphasises this sensation, creating a olfactory property of Larkins thoughts being free and unrestrained. The beauty of this movement is thence contrasted by the terse sounds of the thin and thistled fields, bringing attention to the change in surroundings, from the township to the countryside.By listing what he sees from the window of the train scarecrows, haystacks, hares and pheasants Larkin constructs a series of moving rural images that contrast to the preliminary industrial descriptions of workmen at dawn. The sibilance on haystacks, hares increases the rhythm of the poem and represents the movement of the journey of the train. As well as this, the constant and repetitive use of and in this stanza bring outs a feeling of the images continuing forever, without stopping. This is throw out emphasised by the fact that the poem is all peerless conviction that is not end-stopped until the final stanza, result ing in the feeling of building tension and pres reliable.In the last two lines, Larkin further explores the beauty of the countryside. He creates a sense of the fields opening up with the widening river and its muffled presence along with the piled gold clouds, gives a feeling of dignity and a suggestion of heaven, while the spaceened assonance slows the grand of the meter, further adding to this peaceful atmosphere.Larkins transition from the rural area shown in stanza one, to images of urban activity in stanza two come as a shock. The domes and statues, spires and cranes creates a sense of bustle and closeness in the town, which contrasts to the beauty of the light gull-marked mud previously described. The vocalise cluster is welcoming, giving the sense of niggardness and an impression of everything being pulled together in a rich concentration. This idea is taken further with the introduction of grain-scattered streets where there is a feeling of abundance. However, Larkin quick explodes this sensation with the introduction of more contemporary buildings with plate-glass swing doors, creating the feeling that the town is modernising and on the axis of change. At this point we start to see parallels with other poems in The Whitsun Weddings. In both The Whitsun Weddings and in Sunny Prestatyn, for example, he condemns the personality of commercialisation.Parodies of fashion and nylon gloves and jewellery substitutes, from The Whitsun Weddings, criticises the nature of consumerism and parallels Larkins spoken communication in Here. We get the impression that Larkin does not like the advancement and change occurring in the town. The phrase flat faced trolleys seems blunt and unappealing, while raw estates suggests something unfinished, without rectify and out of place. By listing products, Larkin implies that consumerism is addictive cheap suits, red kitchen-ware, sharp shoes, iced lollies, electric mixers, toasters, washers, driers-, creates a sense o f the products building up. By using commas, sort of of and, Larkin enhances the meter of the poem to give a staccato effect and a build in tension. He does this to emphasise the consumers obsession with cloth goods and enhances this affect by all of a suddenening the length of syllables in each word as the list progresses.Reflecting his ideas in The Whitsun Weddings where he describes the reverse journey to Here, travelling fro London to Hull Larkin further denounces consumerism with the callous words in stanza three, a tat crowd, urban yet simple. This relatively dismissive tone relates back to the earlier images of raw estates giving the impression that the heap living in these urban areas are not sophisticated. The phrase cut-pricecrowd is made up of hard, harsh sounds, but this is contrasted by the by-line words, yet simple, which has an affectionate tone for the uncomplicated people.Following this, the word dwelling appears comfy and suggests affection for the inhabita nts, which reminds us of the warmth Larkin shows towards the earl and countess, in Arundel grave accent. We get a sense of the town spreading out and developing with the mortgaged half-build edges and the isolate villages, showing that consumerism is engulfing the entire area. This is taken further with the words where removed lives/loneliness clarifies which is split across the two stanzas and finally end-stops the 27 line sentence. Through this separation, Larkin uses enjambement to draw our attention to each word, therefore, showing the shift of perspective and pace. The word clarifies strips away any confusion or doubts, demonstrating how unblemished the rural areas are.By containing the first three stanzas within one sentence, Larkin creates a sensation of the reader travelling with him on the train. This long sentence juxtaposes the sudden short, monosyllabic sentence in the final stanza here tranquillize stands like heat. The long vowel sounds in this sentence create a se nse of peace and freedom. This contrast in sentence length is symbolic of the journey, which is enhanced by the use of iambic pentameter throughout the poem. For the first three stanzas, the pentameter is flawless, adding to the sense of constant and rhythmic movement. However, in the last stanza, it is more erratic, lines like luminously peopled air ascends fall a few syllables short of the constant rhythm throughout the rest of the poem, showing that Larkin is a small(a) unsettled.The final stanza gives the reader a shift in tone, from fast paced, to slow and reflective, through twists of syntax. This reminds us of the final sentences in Mr Bleaney should make him pretty sure he warranted no better where the tone is also changed suddenly. In this stanza, the poem becomes more abstract and repetition of here slows the rhythm down, giving logical implication to the moment. Luminously-peopled air is mysterious and suggestive, taking us away from the brilliantly captured images ear lier in the poem towards a vague and suggestive tone.Alongside this, use of words such as unnoticed, hidden and neglected stresses the absence seizure of peopleand creates a sense of nature being unwatched. Hidden weeds gives the impression that they are private, which contrasts to the earlier images of busy consumerism. The final line is curiously poignant, here is unfenced existence, stating Larkins main message that nevertheless when we die, nature will still be there. Similar to in Dockery and password, Larkin suggests his terror of death and feeling of dread at descending into pardon when life ends.Here, reflects Larkins main message throughout The Whitsun Weddings of disillusionment with industrial advancement and the age of consumerism. By using long sentences and enjambment throughout the poem, Larkin creates a sense of building tension and alongside this, much like his other poems in this collection, Here moves from physical ideas to the abstract. This results in an b oilers suit message echoing his views towards life and society.

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