Monday, May 6, 2019

Mashup, remix, fandom, intertextuality, music simulacrum Essay

Mashup, remix, fandom, intertextuality, music simulacrum - Essay ExampleMashup is a music frontier that refers to skilful blending of two or more songs to achieve a new coherent composition, commonly featuring various music genres. An different terms for a mashup are blend, bootleg, smashup, bastard pop, powermix, cutup and crossover. David J. Gunkel, Aram Sinnreich, Michele H. Jackson, Brian Lamb and Liam McGranaham are around of the authors who have written elaborate and scientific publications on the mashup culture. Although the term first appeared in the Oxford English mental lexicon in 2000, the history of mashups is debatable. piece of music the notion of a mashup as a 21st century transition appears viable, the roots of a mashup can be traced to the early 20th century. The installation of Marcel Duchamps roll Wheel in1913 where he combined a stool with a bicycle wheel was a sensible symbol for mashup (Levay 22). A mashup is a fun and adventurous way to make something fr esh out of something make (Gaylor web). medicament mashup characteristics are additionally attributed to musicque concrete, a form of music which evolved in the 1940s, where compositions were not limited to sounds from tuneful instruments (McLeod 81). The music community have come to a strong consensus on the origin of a mashup. They jeer that part of the remix culture (Mashup) originated from Jamaica in the early 1950s Arguably, a remix is an umbrella term encompassing mashup among other music compositions. It is when Jamaican selectors or disc-jockeys composed first metatexts by playing live a series of records in the same key, tempo or theme. This gave grounds for the emergence of hip hop DJs several decades afterwards (Brewster and Broughton 254 Levay 22) Ironically, these roots seem to contradict Sinnreichs observation that a mashup is associated with white European logic as opposed to the Afro-diasporic hip-hop genre (Sinnreich 195-9). The fact remains that mashup, despi te its Jamaican foundations, first gained major popularity in the United Kingdom. The first mashup that gained widespread media attention and broke into the mainstream across the UK was done by The Freelance Hellraiser in 2001. His A Stroke of Genie-us combined Christina Aguileras Genie in a Bottle and The Strokes Hard to Explain. While a mashup can be done manually, the most common production of mashups occurs digitally. Among the most common parcel are Ableton Live and Sonys Acid Pro. They let both professionals and bedroom producers to join a candid section from one piece with an instrumental section of another to produce one stereo track, which is the prefatorial element of a mashup. Since at present music is recorded using multi-track recording techniques, music labels sometimes release those tracks individually to encourage producers and DJs to create remixes thus contributing to the popularity of the original recording. Works Cited Aram Sinnreich, Plus ca change or Paradig m shift? University of Massachusetts Press. (2010), 193-208. Brewster, Billand Broughton, Frank. Last night a dj saved my life the history of the disc jockey. New York Grove Press, 1999. Print. David J. Gunkel, Rethinking the digital remix Mash-ups and the metaphysics of sound recording. Popular Music and Society, 31/4 (2008), 489-510. Gaylor, Brett, dir.RIP A Remix Manifesto. 2008. Web. 25 Jan. 2012 . Jackson, Michele. The Mash-Up A New Archetype for Communicatio.Journal of Comupter-Mediated Communication. 14. (2009) 730734. Web. 25 Jan. 2012. Lamb, Brian. Dr. Mashup or, Why Educators Should Learn to Stop Worrying and Love the Remix.EDUCAUSE Review. 2004. Web. 25 Jan. 2012. . McGranahan, Liam. Bastards and Booties Production, Copyright, and the Mashup Community.Revista Transcultural de Musica. 14. 2010. Web. 25 Jan. 2012. Remix A remix refers to ersatz version of a recorded song with added or

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